we met virtually on Zoom for this session due to the COVID-19 pandemic
Week One included
- eurythmy with Anna Ziegner
curative education lecture series with Sarah Deichmann
anthroposophy & watercolor painting with Kelly Beekman
woodworking with Mario Rodriguez
handwork with Nicole Rodriguez and Miho Suzuki
readings
(we had more readings than usual because we were remote)
curative education
Education for Special Needs: The Curative Education Course
by Rudolf Steiner - main text
Six Subsidiary Exercises (PDF)
excerpt from Guidance in Esoteric Training by Rudolf Steiner
A Practical Guide to Curative Education: The Ladder of the Seven Life Processes
by Robyn Brown - recommended
Enlivening the Chakra of the Heart: The Fundamental Spiritual Exercises of Rudolf Steiner
by Florin Lowndes - recommended
More Radiant than the Sun: A Handbook for Working with Steiner's Meditations and Exercises
by Gertrude Reif Hughes - recommended
Take Time: Movement Exercises for Parents, Teachers and Therapists of Children with Difficulties in Speaking, Reading, Writing and Spelling
by Mary Nash-Wortham - recommended
A Journey in Time Through Verse and Rhyme
by Heather Thomas - recommended
anthroposophy & watercolor painting
The Revelation of Evolutionary Events in Myths, Stories and Legends
by EveLynn Debuschere - main text
Cosmic Memory
by Rudolf Steiner - supplemental text
An Outline of Occult Science
by Rudolf Steiner - supplemental text
Luminous Life: How the Science of Light Unlocks the Art of Living
by Jacob Israel Liberman - supplemental text
Art and Human Consciousness
by Gottfried Richter - supplemental text
handwork
- "Rudolf Steiner in Action: Indications for Design in Handwork - Part 1" by Louise Van Blommestein (PDF)
notes from painting
- Monday - Ancient India
lemon yellow, ultramarine, permanent rose
1st - color experience
2nd - formed painting of Shiva (we did not do this)
Tuesday - Ancient Persia
lemon yellow, ultramarine, carmine
1st - color experience
2nd - formed painting of Ahura Mazda and Ahrimen
Wednesday - Ancient Egpyt
lemon yellow, golden yellow, ultramarine, vermilion
1st - color experience
2nd - formed painting of the Sphinx
Thursday - Ancient Greece
lemon yellow, Prussian blue for color experience
lemon yellow, Prussian blue, permanent rose, carmine, vermilion for formed painting
1st - color experience & simple Greek temple using the "paint eraser"
2nd - formed painting of village, path, sea, Greek temple, mountains, Mount Olympus, the temple home of the gods, clouds, and a rainbow
Friday - Industrial Revolution
Prussian blue, ultramarine, indigo, permanent rose, vermilion
1st - color experience of a sunset (we did not do this)
2nd - formed painting of heavily industrial scene & sunset background
notes from handwork projects
-
Monday - begin 3rd grade embroidered circle mat, sanding and beeswax polishing lesson for wooden thread palette (wow! 75 year old mahogany! thank you, Mario), begin 3rd grade knit & crochet owl
embroidered circle mat
- choose three colors of embroidery floss, sew 2 rows of each color with running stitch the size of sushi rice (I dyed my circle of felt with turmeric and did copper, silver, and gold thread)
Tuesday - begin 4th grade painted & embroidered linen mat, shellac lesson for wooden thread palette, discuss and share HW assignments from Spring 2020 session, begin 3rd or early 4th grade needle case
painted & embroidered linen mat
- paint with yellow, red, blue on wet linen square (as wet as painting paper, start with yellow on the inside) and let air dry
we used a heavy weight linen, product number 4C22
note: watercolor paint flows a lot on the wet linen, so learning how to paint this in a controlled way is a little bit tricky
(you can also dry it a bit with an extra sponge or paper towel)
tomorrow we will embroider, so choose three colors of embroidery floss that closely match your three paint colors
Wednesday - continue embroidered felt needle case (learn buttonhole stitch), special guest Patty Urda (3rd grade knit & crochet farm)
Thursday - finish needle case (add a design in chain stitch or seed stitch), begin 4th grade cross-stitch pincushion / paperweight, continue painted & embroidered linen mat, special guest Patty Urda
painted & embroidered linen mat
- iron painted linen square, take out threads and create a 1/4 inch fringe so the embroidery doesn't come near the edge, seed stitch with matching thread colors, dense on outer blue and spreading out more as you get closer to the center, be sure to leave empty space in the middle for the thing that the mat will be holding (since this is an item which has a purpose)
cross-stitch
-
6 count Aida cloth from Paper Scissors Stone
size 3 DMC pearl cotton
size 20 tapestry needle
this is not a counted cross-stitch kit with pre-made design
they create their own designs (4-way or 8-way symmetry)
designing a pattern on paper and then stitching it is a different skill! we want to focus on one skill at a time
top & bottom make a difference! mark the top of your cloth with ribbon (the "red bird" can't be on the side)
have the students walk the cross-stitch pattern using large dots on the floor before they ever begin to stitch it
start in the lower lefthand corner of the square you want to do!
"up to the right and over 1
down to the right and you are done"
enjoy that feeling! there stands the X
then think, what is the next square I'm intending to do?
(after a while, they begin to be able to look forward to the next thing and anticipate where the needle should be, so you say "up the right and over 1, down to the right and over 2")
it is actually "over" when you are walking the dots on the floor but when you are sewing it you are really going under the fabric at that point! you begin on the far right-hand side of the fabric and work left if you are a right-handed person
Nicole has a cross-stitch square up in her classroom with 3 mistakes... can they find them?
we began with a 20 square piece of fabric, do the border (across top and bottom edges) as a chance to practice the stitch (if you do this correctly, on the back you will have only straight bars and no X's) and then do the border on the sides
do the outside edge in a strong color!
for the symmetrical design, divide your cloth into four quadrants ("backyards") and start in the square closest to center of the cloth, staying in whatever "backyard" you're in (remember, the needle goes in the lower L hand corner for R hand children and the lower R hand corner for L hand children
we want the design to unfold for them... do 7 squares in that floss color (they must be touching in some way) and then match it in all four backyards
switch to a new color... do 7, 8, or 9 squares (remember to start in the center again)
don't plan it! just let it happen
every crossing is their call to awakening -- very important in 4th grade -- here I am
Friday - special guests Elizabeth Seward & Shellie Smith, cross-stitch designs with 8 way diagonal symmetry, 4th grade kumihimo braiding
we prepared some of our materials in advance at home: dyeing 3-4 colors of the silk embroidery floss, dyeing the wool felt for our embroidered circle mat and the backing to our cross-stitch projects
and the day after my teacher training ended, I did another workshop on Zoom from the Fiber Craft Studio, which was Bundle Dyeing with Anne-Marie Kavulla! that was fabulous and we used a lighter weight of linen fabric from the same supplier (medium weight, # IL019)
Reading my quick notes here is in no way a substitute for being in the Applied Arts Program, which is incredibly rich and deep, so please do not think that I am sharing them with that intent. I hope to encourage others to take this valuable training with this glimpse into our amazing work. I also find that having the patterns as a quick resource helps me when I have to remake them for my homework. I hope this is helpful to others as well. If you are finding yourself drawn to taking this training, please do consider it!
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