I found artists I'm teaching about in Art History this year and next year, plus many more including lots of people I'd never heard of. There were also lesson plan ideas (clip cards saved from years of SchoolArts Magazine), images of historical artifacts, and postcard flyers from contemporary artists.
I also found this, which clearly was part of a lesson plan:
It was carefully printed in color and laminated, but there are no notes to go with it. I just have to guess. My guess is she laid out images and the children sorted them into Sculpture, 3-D But NOT Sculpture, and I'm Not Sure.
I think this will be fun and a good lead-up to our visit to the Mildred Lane Kemper Art Museum at Washington University in St. Louis on Thursday.
Here are my plans as to the images to give them for sorting each day:
Monday
-
Henry Weekes, Bust of Mary Seacole, 1859
Agunna, Door, c.1890-1920
Alexander Calder, Form Against Yellow, 1936
Donald Judd, Wall Progression, 1971
Kenneth Price, Town Unit One, 1977
Deborah Butterfield, Horse, 1978
Feliz Gonzales-Torres, Unitled (A Corner of Baci), 1990
Myung Urso, Brooch-Relationship, year unknown
Faith Wilson, untitled floorcloth, year unknown
Tuesday
Constantin Brancusi, The Kiss, 1907
Alexander Calder, Little Parasite, 1947
Robert Rauschenberg, Untitled Combine (Man with White Shoes), 1955
Kanjiro Kawai, Bottle with Splashes of Color, c.1960s
Donald Judd, Untitled, 1967
Jackie Ferrara, A211 Trannik, 1980
Dennis Oppenheim, Badly Tuned Cow, 1988
Debora Muhl, Gold Fish, 2008
Gary Magakis, Chambord Table Lamp, year unknown
Wednesday
Bernard Palissy, Oval Basin, c.1550
Alexander Calder, Yellow Whale, 1958
Dame Elisabeth Frink, Goggle Head, 1969
Magdalene Anyango N. Odundo, Reduced Mixed-Color Symmetrical Piece, 1990
Alison Saar, Tocacco Demon, 1993
Yves Telemak, Flag for Ezili Dantò, 1993
Liz Young, Birth/Death Chair with Rawhide Shoes, Bones, and Organs, 1993
Amundsen High, Cicero Elementary, Diego Middle, Dulles Elementary, Perez Elementary, and Suden Elementary Schools w/ Connie Gaberik & Drea Howenstein, The Shelter Project, 1995
Philip Schuster, Snake Bench, 1995
This reminds me of the conversation we had about poetry a few weeks ago. It's not just about rhyming... what is it that makes it poetry?
It's not just about being 3-dimensional... what is it that makes it sculpture?
This activity also goes well after the story we read on Thursday, Look! Look! Look! at Sculpture by Nancy Elizabeth Wallace, and will give them something to think about before they make their own Soap Sculpture Exploration.
I actually emailed Faith Wilson to see if she would tell me the title of that floorcloth... I hope she emails me back! I'm so excited to have discovered her work and I definitely want to study her as a featured artist at some point. Maybe I can even meet her the next time I go back home to Maryland.
Reaching Out:
Faith Wilson’s painted floorcloths explore the boundaries of a traditional craft
article by Tina Coplan
Mid-Shore Arts: The Journey of Artist Faith Wilson
article by James Dissette
UPDATE: Yes! She wrote back to me!
"Thanks for asking. I made that piece a long time ago. It was called 'liminal dream'... I think. I know it was the first in my liminal musing series."
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